The Ancient City and Religious Art
This weekend, I chose to stay in Bangkok, as I had a meeting for an internship I'm pursuing here. I won't talk about it too much now, but it includes visiting refugees from Pakistan, Cameroon, and Vietnam at a detention center, basically a prison, where many live for as much as 2 years without gaining an interview. The day after my meeting, I went to a historical park called Muang Boran, or The Ancient City. It's a massive complex, spanning 240 acres, and inside there are miniatures of monuments from throughout Thailand – in fact, the entire park is a to-scale model of the kingdom.
The monuments, while miniatures of the originals, were still huge, with many towering at least 50 feet high. Some of them housed beautiful artworks, mother-of-pearl thrones, and Buddha statues. A river ran through the entire park, complete with its own floating market. It was a surreal experience, made more so by the slight rain that showered down as my friend and I biked through the city. This experience brought up some interesting thoughts.
Muang Boran was founded by a man who wanted to educate Thai people about their heritage. He thought that building a historic park that showcased the wonder of Thailand's monuments would inspire people with respect for their own culture. The park is also open to foreigners, and like many attractions in Thailand, it costs twice as much to go if you're not a local. The park took years to complete; the details on many of the buildings required the work of skilled craftsmen, and the architect, Lek Viriyaphant, visited many of the 116 monuments himself to ensure that the replicas were accurate, while experts from the National Museum helped as well.
During my time at the park, I had lots of time to think about the importance of religious art. In Thailand, religious symbols are everywhere. Museums like Muang Boran are often filled with Buddha statues and other sacred objects. My question is, what makes something holy? Is a replica of a religious statue just as sacred as the original? Every Thai person that I've seen at a museum has reacted to the statues around them as if they were the originals: they often get down on their knees, light incense, and maintain silence. On the other hand, these statues are housed in a museum that's open to non-Buddhists, like me, who treat them like artwork. My friend Tessa said that objects like Buddha statues are important because of the intention with which they were built, and that she has more respect for the originals than a replica on display. I think I agree with her, but it's a tricky issue, especially since the locals seem to respect the object itself, regardless of the situation.
Adam De Gree
I am a senior in college, studying philosophy, and am visiting family in the Czech Republic and travelling and studying in Europe and Asia.